Disgusting cash-in sequel which capitalized on the classic “Halloween” fright flick directed by John Carpenter. Carpenter is not directing this time but producing, taking a writing credit and providing the music. Still, Carpenter must take his share of credit for this turd. The formula stays the same: Asylum escapee Michael Myers is stalking fresh victims and Jamie Lee Curtis, more or less in that order. Dr. Loomis, portrayed by Donald Pleasance, pursues Myers. This time a face off takes place in a hospital where Curtis recovers from the assault she took from Myers in the previous flick. Curtis is nothing [More]
Rousing TV movie full of strange beasties on the loose. Cornel Wilde investigates stories and sightings involving a hidden race of ancient creatures, the gargoyles, that emerge during certain periods of history and their time has come again in the 1972 American Southwest. The gargoyles appear once again determined to exert their dominance over man. Can they be stopped? Look past the slightly gawky monster costumes and enjoy the thrill ride! Scott Glen is here in an early role.
Classic tale of an otherworldly killing spree set in modern day Las Vegas. A down on his luck reporter, Carl Kolchak, stumbles upon a series of murders that lead him to the inevitable conclusion that an actual vampire is loose in a city that never sleeps. Scary upon first and subsequent viewings. Creepy, nightmarish performance by veteran actor Barry Atwater as the vampire. Darren McGavin as Carl Kolchak is superb. This is definitely one of those films that you don’t want to watch at night with the lights out. Very chilling and produced as a TV movie, to boot!
My favorite episode from “Star Trek” – The Original Series. A marauding super weapon of ancient origins plummets through space destroying astral bodies in its wake to provide fuel for its continuing existence. The Enterprise, commanded by Captain James Kirk, attempts to put a stop to the machine’s path of destruction before any more lives are lost. Very well paced, exciting episode that provides plenty of action and suspense. Going back and watching “The Original Series” today, I am struck by the rather talkative, slow paced nature of a lot of the episodes. This segment provided a welcome alternative to [More]
An attempt by motorcycle daredevil Evel Knievel to jump the fountains at Caesar’s Palace in Las Vegas. Upon landing on the opposite ramp, Knievel lost control of his bike and got busted up pretty bad. He was in a coma for nearly a month.
A disquieting tale of the destruction of a remote research station by unknown forces. The culprits are right under our noses but we don’t find out until the very end of the movie. Dread and paranoia in abundance as Robert Culp and Eli Wallach attempt to put a halt to the rapid erosion of the human community at a snowbound scientific research center. Will they find a solution in time? Similar surroundings and situation to “The Thing” but without an other worldly threat. An ABC Movie of the Week entry.
Very unnerving, black and white film of the book by Shirley Jackson. Things go bump in the night, frequently, in a gloomy mansion being investigated by ghost hunters. The creepy surroundings are dimly lit and expansive, ghostly, unintelligible conversations are overheard. Shadows crawl. Effective, tense direction provided by Robert Wise. Are the hauntings real or simply created by our imaginations?
Classic science fiction film starring Charlton Heston as an astronaut stranded on a planet where apes rule and humans are slaves/brutes hunted for sport and used for medical experimentation. The proceedings move along at a fairly steady pace thanks to Franklin Schaffner’s able direction. Ground breaking makeup work by John Chambers and a pun-filled, satiric script by Rod Serling. This movie caught the public’s imagination and four sequels, each weaker than the last, were spawned as a result. Very striking beginning to this film as Heston is the last astronaut to enter hyper sleep and the space ship passes through star fields [More]
I always liked this song by Black Sabbath but being performed here by the essentially the same band with a new moniker, “Heaven and Hell” to avoid infringement with Ozzy over the BS name. Tony Iommi’s finger picked guitar alternates with a sledge hammer guitar riff. Very sinewy, melodic bass work by Geezer Butler, too. And, of course, Iron Lungs Ronnie James Dio, in a performance shortly before his death. Epic.
A phenomenal band live is augmented by percussionist Jamie Muir for more aural madness. The band performs “Larks’ Tongues In Aspic Part 1”. Muir flirts between hammered percussion, drum set, referee’s whistle, bird call and bike horn. Wonderful.
Wow. Who else every played like these maniacs? King Crimson circa 1974: David Cross, Bill Bruford, John Wetton and Robert Fripp. Mellotron, violin, viola, electric piano, guitar, bass, drums, percussion. A rock chamber orchestra. Scathing.
After watching this trailer, you may well surmise that I added this as an example of one of the worst movies ever made. On the contrary, this movie once had a major impact on my life. Yes. There are a lot of surf bands playing and kids dancing and carrying on and there is a story line about a leaky, radioactive waste filled barrel in the ocean which interacts with a human skeleton and other sea debris and somehow mutates into one of many absurd, rubber suited sea monsters which walk on two legs. It is the scenes involving the marauding monsters [More]
Danger Dolan is at it again with a smashing documentary on 20 of the creepiest places to visit in this strange world of ours. There are segments on Chernobyl, Winchester Mystery House, and Prague among others. I tend to observe these type of locations from afar. Safer that way. I have been to the Winchester Mystery House, though. Hehe.
“A Tab In The Ocean”: a 16 minute opus from the band Nektar. This is in many ways as much a rock opera as The Who’s “Tommy”. Riffs and phrases repeat throughout the extended length song. Monster riffs, guitars, a majestic organ line, and impassioned singing make this a truly memorable track. Did Rush get inspiration from this number and apply it toward their own epic composition, “2112”? You betcha.