Rusty West’s You Tube videos and books talking about missing people, weird occurrences and Bigfoot have become some of my favorites. I just like his writing style and narration. I think it is very direct and entertaining. But also very spooky! Case in point, in this collection of tales, is the tale of the raided chicken coop. That one gives me the chills. Check out Rusty.
Creepy compendium of weird shit caught on video. We’ve got UFO’s, Bigfeet, ghostly mirages of floating cities. I mean, what else do you need to keep you entertained for a few minutes? Crack open a few cold ones and enjoy.
Back when Hammer Films were all the rage and knocking horror fans dead at the box office, “Dracula: Prince of Darkness” marked the return of Christopher Lee to the title roll of the infamous undead vampire king. He had gone away from the role after his turn as the blood sucker in the remarkable “Horror of Dracula” (1958), one of Hammer Films’ first stabs at rebooting the Universal monster cycle from films decades before. Lee appeared in Hammer Films such as “The Gorgon” (1964) and “She” (1965). He just wasn’t interested in playing Dracula. But through whatever form of alchemy
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Twisted Russian fantasy film depicting a manned trip to Mars. Propagandistic in tone in that Russian technology is capable of any space voyage/adventure in these films (see “Planeta Burg”) but the reality is that there was a long record of Russian space mission failures. It seems that the plot formula in a lot of these films is that the homeland’s advanced technology delivers men to the Moon, Mars, and The Stars, but once there, things become unraveled and life or death situations materialize. A drama is thus born. There are no shortage of beautiful and eerie landscapes rendered in shockingly
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Wow. Who else every played like these maniacs? King Crimson circa 1974: David Cross, Bill Bruford, John Wetton and Robert Fripp. Mellotron, violin, viola, electric piano, guitar, bass, drums, percussion. A rock chamber orchestra. Scathing.
A rousing, electrified musical number from ’70’s supergroup, Emerson, Lake and Palmer. I always play this song around Christmas time because it just radiates that time of year for me. The song itself is an ode to England and its majesty but ignoring the lyrics and listening to the music itself is a Christmas time treat. If that makes any sense. Swirling organs and flavorful synthesizer phrasings from Keith Emerson. Percussion professor Carl Palmer adds his intricate drum fills. String whiz Greg Lake also provides the shimmering, powerful vocals. A delight. Break out the cordials!
I recently caught this movie again and I came away more impressed than I have in the past. The print I saw had been digitally restored and the imagery benefits greatly from the treatment. I include this clip because it shows a lot of the road trip that these two anti heroes (dope dealers, Dennis Hopper and Peter Fonda, travelling cross country on motorcycle “choppers” and taking it easy on the open road, while taking in the sights) initially debark upon. It also is accompanied by The Bryds’ “I Wasn’t Born To Follow”, a nice country rock style tune which
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Art Bell just passed away. Bell was a very interesting fellow who started the Coast To Coast AM radio program. Bell was a pretty good interviewer and would let his guests discuss their topics at length. Bell followed his interests and featured a lot of paranormal topics and brought on guests who discussed UFO’s, Bigfoot, ghosts, and other strange phenomena. I spent many a night listening to his program and getting scared out of my wits and avoiding sleep. I have great memories of Bell, his beliefs and his sense of humor. The clip I linked to is an example
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“Burnt Offerings” brings to mind another haunted mansion flick, “The Shining”. BO features a family renting a stately manor and acting as caretakers to the property and the elderly lady supposedly inhabiting an upstairs room. It isn’t long before the heebee-jeebees set in and the wife and husband get unwillingly possessed by some dark forces lingering about the place. The husband has a bad spell and nearly drowns his son in the pool but then returns to some semblance of normality while his wife starts behaving rather oddly. As you can well imagine, no good can come from any of
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Great thriller, clocking in at a whopping 68 minutes, I think. Poor sap, Al Roberts, played by Tom Neal, is hitchhiking across the U.S. from New York to California to join his girlfriend. Along the way, he gets picked up by a “Big Spender” Haskell, in a new vehicle who agrees to take him all the way to Los Angeles. The two exchange stories during their journey but Haskell mysteriously passes out en route and never regains consciousness. Roberts panics and buries the body out in the desert and assumes the dead man’s identity and drives off with his possessions.
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H.G. Wells wrote the science fiction classic “The War of the Worlds” back in the 19th century and the setting was England. It seems that a civilization had evolved on the planet Mars and the inhabitants of that planet hatched a plot to conquer our planet. Falling stars land on Earth and reveal encased cylinders that house slimy Martian creatures and Martian war machines that proceed to decimate our world. Along comes this picture to update the story to the United States in the 1950’s. The screen is filled with dazzling color film work and a different continent to disrupt
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I have always personally enjoyed this Boris Karloff scare fest set in the English countryside, but it may not be your cup of Earl Grey. I think it is the atmospheric locales complete with swirling fog banks and the rustic British environs plus the deeply saturated colors that most appeals to me. Boris is his sinister best in one of his latter day horror roles. I guess you could call this a cosmic horror tale as it is loosely based on H.P. Lovecraft’s “The Colour Out of Space” short tale. American Nick Adams ventures to a distant estate to visit
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Lifeforce has always been an enjoyable viewing experience for me. Directed by Tobe Hooper of Texas Chainsaw Massacre fame, this flick straddles the line between falling into either the science fiction or horror movie camps. It ends up having elements of both in its delivery. An international space crew observing Halley’s Comet become aware of an unidentified object hidden within the comet’s tail. The crew decides to investigate the object up close and then things start to get really interesting. I think the first thirty minutes of this movie are brilliantly paced. I love that portion of the movie but
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I always liked this song from the band Hawkwind. It is an uplifting pop song with synthesizer sound wash and varied instrumentation thrown on top. Hawkwind has a long history. You might be interested in learning more about these “cosmic warriors” who constituted part of a music genre labeled “Space Rock”. Try checking out the book “Space Daze”. This video is a little weird, though, as is the lead singer’s getup.