Schlock director Al Adamson resurrected some classic Universal monsters for this low grade monster epic. Some tall cat named Zandor Vorkov plays Dracula with his voice heavily processed with reverb. Interesting effect but probably not necessary. Dracula pays a visit to Dr. Durea who runs a carnival monster exhibit upstairs but has a fully equipped laboratory in the basement to carry out his experiments. In fact, Durea is a direct descendant of the infamous Dr. Frankenstein. And we all know that the Franken-family has that overreaching desire to resurrect the dead coursing through their veins! Dracula wants Durea to perfect
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This is a very watchable Western that exhibits a high level of grotesque violence. I attribute the violence to the fact that this movie follows on the heels of “The Wild Bunch” which was a Western and which saw director Sam Peckinpah push the boundaries of on-screen gun play and graphically portrayed violence. “The Hunting Party” follows in the mold and shows a lot of bullet holes being made in some of the characters and there is generally sadistic bent to the character portrayed by Gene Hackman. Hackman is a cattle baron who treats his young wife like so much
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Very twisted clip from John Carpenter’s The Thing. A chest that opens up and sports big, jagged fangs? The better to bite your hands off with! Ugly. Outstanding mechanical visual effects by Rob Bottin. All these monster effects had to be built from wire frames and then dressed to achieve the required look and then remotely made to function by one or more operators A lot of motors, wires, cables and what have you brought these monsters to life. Disney called them animatronics. They don’t make them like this anymore. CG is much quicker and cheaper.
A phenomenal band live is augmented by percussionist Jamie Muir for more aural madness. The band performs “Larks’ Tongues In Aspic Part 1”. Muir flirts between hammered percussion, drum set, referee’s whistle, bird call and bike horn. Wonderful.
A more muscular, 4 and 6 string driven rendition of this early 1980’s gem from Gary Numan: “Cars”. Numan these days has ventured from his Bowie like posturing and has taken on more of a resemblance to actor Robert Carradine with a bit of Klaus Kinski thrown in. I’ve said it before and I’ll say it again (I have no shame), age will have its rage. With us all. Like this fresh take on the song, though.
I have come across this story a couple of times and see it as a truly chilling account of hunters turning into prey. Hunters off in a very remote wilderness “trespass” across an unknown creature’s domain. Things go very downhill from there. This story is given an air of credibility when it is discovered that this tale was relayed to Theodore Roosevelt by an old Mountain Man and included in Roosevelt’s book, “The Wilderness Hunter”. After reading it several times over the years, it has yet to loose its fearsome, chilling effect. Probably my favorite old time Bigfoot report. Of
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Kevin Conway recently passed away. He has two roles that remind me of his involvement in the fright/fantasy movie field. Conway appeared in Tobe Hooper’s The Funhouse (1981). He appears as three different barkers in a carnival (!!!). These are pretty seamy characters and lend a creepy air to the bizarre goings on at the rundown attraction. Lawnmower Man 2 (1996) saw Conway acting as an unscrupulous, corporate scumbag who is pushing the boundaries of the virtual reality world. Nice work. R.I.P., Kevin.
A cadre of well off individuals are transported by plane to what turns out to be anything but an island paradise. We soon learn that these folks are a troubled lot. We are eventually introduced to each character’s particular emotional baggage and then it is revealed that each may have met with a fatal accident. Wait! We are apparently watching living, breathing people who are trying to figure out where they are stranded and why fate seems to be drawing a dark curtain over their circumstances. Are they in limbo? In fact, their dilapidated island resort becomes a purgatory from
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Punk rock progenitor, Chris Bailey, who sang and wrote for the Australian band, The Saints, has died. Chris definitely had a strong presence in my life way back when. We had a couple of Saints’ audio cassettes in the rotation for road trips: “I’m Stranded” and “Know Your Product”. The songs were some of our favorites, right alongside “Metallic KO”, The Stranglers, Motorhead, etc. Good music, good times. The Saints’ raw, guitar dominated sound was an influence on the punk purge to come in the music industry. Check out this music video which is introduced by artist commentary. Cool video!
Mike Pinder was a founding member, and once the keyboardist, of the band The Moody Blues. Pinder passed recently. Mr. Pinder was an acolyte of the weird instrument, The Mellotron. What was The Mellotron? I asked ChatGPT to provide some illumination. Here is what they said: A Mellotron is an electro-mechanical musical instrument developed in the early 1960s. It works by triggering prerecorded sounds stored on magnetic tape when a musician presses the keys on its keyboard. Each key on the Mellotron is connected to a tape playing a recording of an instrument, such as strings, flutes, or choirs, allowing
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Night of the Living Dead. One of the all time great horror movies! Zombies surface from the grave after some nebulous explanation involving a a solar flare or a mishap involving a returning spacecraft. Take your pick. Whatever causes the dead to resurface among the living, this movie yields some terrific shocks and scares. In this scene, Johnny and Barbara come to pay their respects to the dearly departed and end up getting disrespected BIG TIME by the dead! Johnny and Barbara: one stays at the graveyard and one moves on to remain among the living.
“Beneath the Planet of the Apes” is my favorite sequel in the ape picture cycle. Charlton Heston, “Taylor” and his companion, “Nova”, continue on their quest to find an Eden on the scorched planet away from the dominant species apes they have more than had their fill of following the telling of the first Ape movie, “Planet of the Apes”. The two end up being imprisioned by a mutant race of humans living among the nuclear war shattered ruins of New York city. The mutants worship a doomsday bomb that comes in to play later on in the movie. Enter James Franciscus as
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My favorite episode from the cinematic horror comic, “Creepshow”. This movie captured the flavor of horror comics infamously represented by the line put out by EC Comics in the 1940’s and 1950’s. There are flourishes of garish, saturated colors which permeate several chapters of this episodic anthology and some transitions from live action to cartoon graphics. Genre heavyweights George Romero of “Night of the Living Dead” fame and writer Stephen King lent their talents to the weird goings on here. This clip details a murderous act of revenge enacted by a jealous husband upon his unfaithful wife and her lover.
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I think I mentioned Tales From The Crypt in an earlier post. I stress this segment from the anthology film from the ’70’s because it features a diabolical madman on the loose who dons a Santa Claus suit to get into the spirit of the Christmas season during which the segment transpires. Seedy Santa leers and creeps outside the residence of an equally seedy sexpot played by Joan Collins. You can question whether there was type casting involved. I have. Anyway, an enjoyable if edgy representation of the jolly fat guy who in this case gets his jollies from stalking
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