This is a moderately interesting tale of a city family happening upon an old country home for sale, deciding to buy it, and taking the plunge headlong into strange occurrences and demonic possession. This movie is of note because of an early directorial turn by Steven Spielberg. He followed up the classic “Duel” (1971), with this effort. “Duel” was definitely better but this movie is distinguished by impressive camera work and unorthodox shooting angles befitting the twisted nature of this tale of possession. Darren McGavin is also onboard, just recently removed from his performance as Kolchak from “The Night Stalker” [More]
Actor John Saxon just passed away. I recently watched him in the Clint Eastwood Western, “Joe Kidd”. Nice turn. I will always remember him from “Blood Beach” where he plays a detective assigned to a case of mysterious disappearances at a local beach. He is allowed to utter, completely straight-faced, the immortal riff which borrows from the “Jaws” film legacy about people in his community having difficulty even getting to the water. Classic! A well recognized and respected actor. We are sad to see his passing.
You may be a big fan of Christmas themed movie at this time of the year and that is fine.  But there is a wide variety of viewing experiences available to you and a good action movie may be what you are looking for.  I will recommend a few thoroughly enjoyable action/adventure flicks. Thunderbolt and Lightfoot (1974) – Clint Eastwood as a bank robber on the run who winds up getting drawn back into a repeat heist attempt on a bank where everything eventually went bad the first time out.  The second attempt ends up no better.  This is a [More]
This clip is a masterfully staged study of the shark hunter Quint from Steven Spielberg’s “Jaws”.  Quint, played by Robert Shaw, recounts his earlier in life run in with man eating sharks.  The profound horror of this life threatening event probably played no small part in his decision to hunt sharks for a living.  “Jaws” is still an amazing thrill ride of a movie after all these years.  I think it may be Spielburg’s best picture.  This scene is eminently creepy and evocative.